Color
- Apricot 22
- Army Green 6
- Ash 1
- Beige 5
- Black 236
- Black + Navy Blue + Orange Red + Gray + Sky Blue 1
- Blue 58
- Bright Yellow 1
- Brown 10
- Burgundy 35
- Camel 2
- Champagne 1
- Coffee 12
- Coral 1
- Cyan 1
- cyan green 2
- Dark Brown 1
- Dark Cyan 1
- Dark Green 11
- Deep Grey 5
- fern green 10
- Fuchsia 2
- ginger-colored 2
- Golden 1
- Green 33
- Grey 42
- Khaki 23
- Lake Blue 8
- Light Blue 16
- Light Brown 1
- Light Green 3
- Light Pink 3
- Malachite Green 1
- Mambo Green 1
- Maroon 1
- Matcha 1
- Milky 3
- Mint Green 1
- Mixed Colors 19
- Multicolor 4
- Navy Blue 37
- Olive Green 5
- Orange 12
- Pale Pinkish Gray 4
- Peacock Blue 3
- Pink 30
- Polka Dots 1
- Purple 21
- Red 81
- Rose Red 11
- Royal Blue 17
- Rust 1
- Silver Grey 1
- Sky Blue 9
- Taro Purple 1
- Tawny 1
- Violet Blue 2
- Viridity 2
- White 92
- Wine Red 1
- Yellow 18
- Yellow-green 1
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.