Color
- ApricotApricot 12
- BeigeBeige 3
- BlackBlack 19
- BlueBlue 6
- BrownBrown 2
- BurgundyBurgundy 2
- CoffeeCoffee 2
- crimsoncrimson 2
- Dark GrayDark Gray 3
- GrayGray 3
- GreenGreen 4
- Light BlueLight Blue 1
- Light GreyLight Grey 1
- Military BlueMilitary Blue 1
- MilkyMilky 1
- Navy BlueNavy Blue 1
- OliveOlive 1
- PinkPink 16
- Pink RedPink Red 1
- PurplePurple 1
- RedRed 12
- Rose RedRose Red 1
- Tangerine redTangerine red 1
- Vibrant BlueVibrant Blue 1
- WhiteWhite 3
- YellowYellow 1
Women’S Tangerine-red High-Waisted Skirt with Phone Pockets
Women’S Three-Piece Suit with Strapless Crop Top, Shawl Collar Open Front Blazer & Long Pants
Women’S Vibrant Floral Print Mini Skirt
Women’S Vintage Elegant Blazer
Women’s Winter Plush Faux Mink Coat
Women’s Y2K Retro Geometric Striped Hooded Top
Yellow Fashionable Women’s Drawstring Shorts Solid Color Casual Pants
Yellow New Summer Fashion Elegant Women’s Ruffle Hem Sleeveless Tank Top
Yellow Solid Casual Two-piece Set
Yellow Women’S Casual Crew Neck T-Shirt
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.




